Restraint as a signal of price.
What this identity claims, and where it stops working.
This direction treats sport photography the way a jeweller treats a display case: almost nothing on the surface, and everything in the quality of the object. The mark is a high-contrast Didone monogram — hairlines against heavy stems — set with the kind of letter-spacing that only works when there is room to spare.
Four arrangements of one mark. Everything else is a variation of these.
The geometry the mark is built on, and the space it needs to hold.
| Measurement | Definition | Value in this mark |
|---|---|---|
| X | Monogram height ÷ 4 | 58.1 units at the drawn size |
| Clear space | X on all four sides | 25% of mark height |
| Monogram ratio | Width : height | 1.24 : 1 |
| Optical centre | Vertical placement in a square | 52% from the top, not 50% |
Nothing enters the clear-space box: no type, no rule, no image edge, no other logo. When the mark sits in a corner, the box defines the margin.
One file per situation. Pick by surface and by reproduction method.
The point where each asset stops reproducing, and what replaces it.
| Asset | Minimum digital | Minimum print | Below that |
|---|---|---|---|
| Primary lockup | 170 px wide | 32 mm wide | Use the horizontal lockup |
| Horizontal lockup | 200 px wide | 40 mm wide | Use the monogram |
| Monogram | 32 px | 10 mm | Nothing. Do not go smaller. |
| Embroidery | — | 30 mm | Single-colour monogram only |
Approved surfaces, and the contrast floor every placement must clear.
Every placement must clear 4.5:1. Measured in this system:
| Ink on brand surface | 17.1 : 1 |
| Ink on paper | 17.1 : 1 |
| White on brand colour | 6.0 : 1 |
The descriptor line is the first thing to fail. When it does, drop it rather than enlarging it.
Eight things that will happen if this page is not read.
Five colours, fixed values, and the proportion they hold across a campaign.
Hold these ratios across a full campaign, not inside a single frame.
CMYK values are an uncoated-stock starting point converted from RGB without an ICC profile, and the Pantone entries are nearest visual matches — approve both against a printed proof before any production run.
Two families, both open-licensed, with the scale that ties them together.
Variable Didone, optical size 11 for sturdier hairlines at small sizes.
SIL Open Font Licence 1.1 — free for commercial use, embeddable in apps and documents, redistributable with the licence file.
Geometric sans. Light and Regular only — never Bold in this direction.
SIL Open Font Licence 1.1 — free for commercial use, embeddable in apps and documents, redistributable with the licence file.
| Role | Family | Size / line | Tracking | Case |
|---|---|---|---|---|
| Display | Bodoni Moda | 72 / 76 px | −0.01em | Sentence |
| Heading 1 | Bodoni Moda | 44 / 50 px | 0 | Sentence |
| Heading 2 | Jost | 26 / 34 px | 0.02em | Sentence |
| Standing label | Jost | 12 / 16 px | 0.28em | Uppercase |
| Body | Jost | 16 / 27 px | 0 | Sentence |
| Caption | Jost | 13 / 20 px | 0.01em | Sentence |
Two hundred frames from the second half, culled to eleven, graded overnight and delivered before the morning briefing. The archive holds every match since the club's first season, catalogued by fixture, minute and shirt number.
Baku · 14 March · 1/2000s at f/2.8, 400 mm
The look the mark was designed to sit on.
| Grade | Low saturation, lifted blacks, warm highlights. Green channel pulled toward sage. |
| Framing | Single subject, generous negative space, horizon or rail as the only strong line. |
| Moment | The pause, not the peak. Between events rather than mid-action. |
| Crop | 3:2 and 4:5 only. No square unless the platform forces it. |
Bottom-right, monogram only, Ivory at 40% opacity, clear space respected.
A watermark is a signature, not a security device. If an image genuinely must be protected, deliver it at a lower resolution instead.
The tiles above are grading targets, not photographs — match real frames to these tonal ranges before they enter the brand library.
The mark in the places it will actually be used.
Everything in this folder, and what each file is for.
logo/Outlined paths, no font dependency. Use these for print, signage, cutting, embroidery digitising and anything that will be scaled.
logo/logo-horizontal-on-dark.svglogo/logo-horizontal-on-light.svglogo/logo-horizontal-onecolour-black.svglogo/logo-horizontal-onecolour-white.svglogo/logo-onecolour-black.svglogo/logo-onecolour-white.svglogo/logo-primary-on-dark.svglogo/logo-primary-on-light.svglogo/monogram-on-dark.svglogo/monogram-on-light.svglogo/monogram-onecolour-black.svglogo/monogram-onecolour-white.svgexport/Ready-made sizes for platforms that will not take SVG.
export/avatar-1024-dark.pngexport/avatar-1024-light.pngexport/favicon-180.pngexport/favicon-32.pngexport/favicon-512.pngexport/logo-primary-dark-@1x.pngexport/logo-primary-dark-@2x.pngexport/logo-primary-dark-@3x.pngexport/monogram-black-2048.pngexport/monogram-white-2048.pngexport/watermark-white-@1x.pngexport/watermark-white-@2x.pngexport/watermark-white-@3x.pngThe typefaces sit in the fonts/ folder alongside this one, each
with its SIL Open Font Licence. Send that folder to any collaborator who needs to set
type in the brand.